The Criterion Collection
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...
The Daily
Apr 21, 2026 — From new titles on the silent era and Hollywood’s Golden Age to forthcoming novels and memoirs, this month offers something for every reader.
Mar 16, 2026 — Paul Thomas Anderson’s One Battle After Another wins six, and Ryan Coogler’s Sinners wins four.
Mar 3, 2025 — His range was astounding, and yet every performance was immediately recognizable as uniquely his.
The Daily
Jan 28, 2025 — We’re reading about Wes Anderson and David Cronenberg and looking forward to books on David Lynch and Pedro Almodóvar.
The Daily
Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.
Essays
Jan 21, 2025 — In his first Hollywood film, British director Stephen Frears dives into the nihilistic world of Jim Thompson’s fiction, delivering an adaptation profoundly attuned to the novelist’s sense of ineluctable suffering.