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Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

The actor praises the Dardenne brothers compassionate approach to filmmaking, talks about Michael Haneke’s use of long takes in Code Unknown, and gets excited to explore The Wes Anderson Archive.

The Oscar-winning director of Amy talks about how Do the Right Thing became a major influence on his work, the overwhelming tension of an infamous scene in Code Unknown, and his love of Ken Loach’s early work.

Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Nov 19, 2020 — One Scene Acutely attuned to the drama of intimate relationships and interactions, writer-director-producer Sean Durkin mines their dynamics for his quietly simmering character studies. Best known for his feature debut, Martha Macy May Marlene, which premiered at Sundance in 2011 and...

Dec 26, 2017 — The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

Nov 12, 2015 — Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.

Nov 11, 2015 — Michael Haneke’s 2000 drama Code Unknown is a formalist masterwork—its narrative, about a group of characters whose lives become entwined by an incident on the streets of Paris, unfolding almost entirely within a series of single-take vignettes. Our DVD and...

Aug 25, 2026 — The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.

Aug 21, 2026 — Touring David Lynch’s LA, listening to screenwriter Samy Burch, and deciphering Adam Curtis.