The Criterion Collection
Essays
Mar 14, 2005 — The appearance of this 1966 film signaled not only the debut of Volker Schlöndorff as a major international filmmaker but also the beginnings of what would become known as the New German Cinema, one of the most important film movements...
Essays
Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.
May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...
Few musicians have had such a profound effect on the evolution of twentieth-century popular music as the legendary record producer, multi-instrumentalist, composer, and twenty-eight-time Grammy winner.
An instantly recognizable icon of the twentieth century, this pioneering actor and director blended slapstick humor with poignant social commentary in some of the most beloved comedies of the silent era.
The legendary filmmaker talks about the brilliance of Targets, his memories of collaborating with a young Martin Scorsese, and his experiences as a story analyst at Twentieth Century-Fox and as a distributor of art-house classics like Amarcord.
Jun 20, 2014 — Peter Weir’s sun-dappled, sexually charged nightmare about a disappearance in turn-of-the-twentieth-century Australia still unnerves due to its radical lack of resolution.
In Theaters
Mar 7, 2012 — A celebration of one of the great cosmopolites of the twentieth century, in one of the cosmopolises he adored.
Sarita Cannon is an associate professor of English at San Francisco State University, where she teaches twentieth-century American literature. Her writing has appeared in African Voices, Journal of Popular Film and Culture, the Black Scholar, Ethnic Studies Review, and MELUS:...
Oct 29, 2024 — From Kaneto Shindo to Kiyoshi Kurosawa, the masters of the genre over the past half-century have tapped into a deep well of cultural anxiety, exploring everything from the sins of their nation’s feudal past to the dangers of new technologies.