The Criterion Collection
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
Jan 6, 2017 — Did You See This? With Alain Resnais’s Muriel, or The Time of Return now streaming on FilmStruck, Leo Robson explores how this radical meditation on memory “invites broader questions about what happens when we return to a movie: Is rewatching...
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
Aug 30, 2016 — Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.
Features
Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.
The Daily
Jul 21, 2025 — Summer offers new biographies and memoirs, expansively big ideas, and more than a few curious fictions.
The Daily
Jun 4, 2025 — BAMPFA spotlights postwar American noirs creeping out into wide-open spaces.