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The Shack

Jul 25, 2014 Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.

Oct 10, 2019 Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...

Dec 17, 2018 Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

May 25, 2017 “Sergei Loznitsa’s documentaries are conceived as silent commentary,” begins Jay Weissberg in Variety. “His rigorously edited, coolly composed shots contain all the information needed for viewers to feel the weight of his argument. By contrast, his fiction films (My Joy,...

Nov 2, 2022 The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Plate o’ Shrimp

Production Notes

Jan 17, 2007 This week, Border Radio was released on DVD. The film is the post-UCLA film school project of first-time directors Allison Anders, Kurt Voss, and Dean Lent. Yesterday, we got a note from a fan who wrote a really thoughtful, personal...

The Players

The Daily

Dec 9, 2023 This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.

Apr 30, 2025 Elena Gorfinkel has written a new study of Loden’s groundbreaking feature and curated a season for the BFI.

Nov 19, 2020 For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...

Jan 30, 2020 Elisabeth Moss plays Shirley Jackson, but Decker’s fourth feature is anything but a conventional biopic.

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