The Criterion Collection
Dec 10, 2009 — Upon its U.S. release in the fall of 1969, Costa-Gavras’s Z made a splash unprecedented for a non-Hollywood film: star Yves Montand talked it up to Johnny Carson on The Tonight Show, and the film went on to gross $2.2...
This explosion of vibrant, innovative, and highly self-conscious films from France in the late 1950s and early 1960s changed the game.
Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.
The Daily
Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.
Aug 3, 2020 — The first European box-office success of the movement dubbed the New German Cinema, Volker Schlöndorff and Margarethe von Trotta’s 1975 The Lost Honor of Katharina Blum took on a hot-button issue: the paranoia provoked by homegrown terrorism and the opportunity that...
Jun 27, 2005 — Kô Nakahira’s taboo-busting melodrama heralded a reinvention of Japanese cinema.
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...
Robert O. Paxton is a professor emeritus of history at Columbia University. He has published several books, including Vichy France: Old Guard and New Order and The Anatomy of Fascism.
The Daily
Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.
The Daily
Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.