The Criterion Collection
Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.
Aug 19, 2013 — This moving drama about gender, race, and class in 1960s Kolkata is a pioneering work from Satyajit Ray.
Aug 27, 2017 — This month, two captivating masterworks make their way to the United Kingdom in their Criterion editions: Lord of the Flies, Peter Brook’s provocative 1963 tale of savage youth, and The Music Room, Satyajit Ray’s radiant 1958 portrait of a fallen...
Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...
Essays
Sep 23, 2002 — René Clair’s early sound film is an iconic vision of lower-class Paris bursting with charm and romance.
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...
May 1, 2019 — The acclaimed out-rock trio Beak> was formed in January 2009 by Bristol musicians Billy Fuller (Robert Plant, Fuzz Against Junk), Matt Williams, and Geoff Barrow (Portishead). The band has very strict guidelines governing their work: the music is recorded live...
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
The Daily
Dec 13, 2022 — MoMA presents newly restored and preserved work by Ozu, Lubitsch. René Clair, Paul Leni, and more.
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.