The Criterion Collection
Essays
Dec 9, 1990 — Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.
The musician selects classic love stories like I Know Where I’m Going! and The Earrings of Madame de . . ., talks about the dramatic suspense of Elevator to the Gallows, and reenacts a favorite moment from Band of Outsiders.
Widely revered as the Master of Suspense, the celebrated director revolutionized popular cinema with his psychosexual thrillers and meticulously plotted mysteries, which often feature icy blondes and macabre men.
Sarah Weinman is the author of The Real Lolita, Scoundrel, and Without Consent, and the editor of Evidence of Things Seen: True Crime in an Era of Reckoning and Women Crime Writers: Eight Suspense Novels of the 1940s & ’50s....
On the Channel
Sep 17, 2026 — Our Halloween programming includes a tour of cinema’s scariest road movies, an anthology of TV-movie nightmares, and collections built around our fears of sinister intruders and mysterious possessive forces.
The Daily
Aug 28, 2026 — Revisiting work by Whit Stillman, Frederick Wiseman, Nathaniel Dorsky—and lots of road movies.
The Daily
Aug 18, 2026 — The Academy Museum has outfitted its theater to present a series of “ultra-rare VistaVision prints as well as 70 mm remasters and new 6K digital scans.”
The Daily
Jul 1, 2026 — Film at Lincoln Center rolls out a series of ten films probing the secrets and suspicions of a nation that seems perpetually on edge.
The Daily
Jun 12, 2026 — We’re hunkering down with an oral history of Steven Spielberg and reading about Mary Harron, Marianne Jean-Baptiste, Radu Jude, and Pier Paolo Pasolini.
The Daily
May 20, 2026 — There’s zero consensus when it comes to the latest films by Na Hong-jin and Cristian Mungiu.