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May 20, 2024 From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.

Jan 29, 2024 Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Jul 13, 2023 Films by Jack Smith, Barbara Rubin, and more New York underground filmmakers will screen for free this weekend in Los Angeles.

Tears and Giggles

The Daily

Feb 3, 2023 This week: Jean-Luc Godard, Sara Driver, Kira Muratova, Joyce Chopra, and a new Senses of Cinema.

Nov 8, 2022 In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Sep 6, 2022 Here’s an overview of how some of the contenders are faring with critics in Venice.

May 13, 2022 The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.

Feb 1, 2022 Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.

Jul 19, 2021 When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

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