Rubber Tarzan

Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.

Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.

Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.

Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.

Apr 29, 2022 — Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...

Apr 25, 2022 — During a precarious time for film exhibition, Inney Prakash, a programmer at the Maysles Documentary Center in Harlem, New York, had an idea to rethink the bounds of nonfiction cinema. He ended up conceiving Prismatic Ground, a festival that launched...

Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.

Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.