Kim Possible

May 6, 2024 — Perhaps the most hard-to-categorize of the great Hollywood studios came into its own with a string of critically acclaimed films based on popular books and plays, including Born Yesterday, A Raisin in the Sun, and From Here to Eternity.

Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

Nov 7, 2023 — By the end of the 1970s, everything had changed for Jackie Chan. He had cowritten, directed, and starred in The Fearless Hyena, which became the top-grossing Hong Kong film of 1979. His next project, The Young Master, would top that...

Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.

Oct 22, 2021 — An outstanding course on Kieślowski, the revival of a Sundance award-winner, and a couple of ranked lists are among this week’s highlights.

May 19, 2021 — For the last twenty years—until the pandemic broke my streak—I drove each fall to spend a week at the Toronto International Film Festival (TIFF). Before making the trip, I took care to avoid reading anything about the subjects, characters, or...

Apr 22, 2021 — 1. Memories of Murder (2003) is based on what director Bong Joon Ho has described as “the first real case of serial murder in Korea”: between 1986 and 1991, the rural area of Hwaseong was terrorized by the killings of...

Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....

Jan 13, 2021 — About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...

Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.