The Criterion Collection
Mar 27, 2013 — Andrew Loog Oldham was the manager of the Rolling Stones and Marianne Faithfull from 1963–1967. In 1965, he started Immediate Records, one of the first independent labels in the UK, where he worked with such artists as Jeff Beck, Eric...
The Daily
Jul 10, 2026 — We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.
On the Channel
Jun 17, 2026 — Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...
Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...
The Daily
Apr 16, 2026 — Dozens of filmmakers will attend the third edition of the American Cinematheque’s documentary festival.
Mar 27, 2026 — The first documentary feature about the rock legends, Charlie Is My Darling captures the band as a group of consummate musicians coming into their fame, fully committed to their craft and enjoying one another’s company.
Mar 19, 2026 — To mark the fiftieth anniversary of the invention of VHS, the director and the editor of Videoheaven discuss how this game-changing format shaped their lives and imaginations and left a seismic impact on the film industry.
The Daily
Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.
On the Channel
Feb 18, 2026 — Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.