The Criterion Collection
Sep 29, 2026 — In this tale of four privileged bachelors who embark on a trip to the Indian countryside, Satyajit Ray balances a biting critique of masculine fragility with splendid visual grace.
Essays
Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
The Daily
Feb 26, 2024 — The Berlinale’s top award went to Dahomey on an evening that has sparked heated debate.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
The Daily
Mar 14, 2018 — “How could I have written a longish book on 1940s Hollywood and have devoted so little space to Casablanca?” asks David Bordwell. The book is Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, and “I suppose I neglected Warners’ evergreen...
Nov 3, 2009 — If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.
Features
Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy. Colleen Murphy After we decided to...
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.
Dec 21, 2008 — In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. “There’s a crisis not just in film but culture as a whole,” he explained. Increasingly, Rossellini had understood the great...