The Criterion Collection
Production Notes
Feb 19, 2013 — Photo by Grant Delin, 2012 Today we mourn the loss of Donald Richie, writer, critic, curator, cultural explorer, and my friend since 2001. I met him when he came to New York to record a commentary track for our DVD...
Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...
Apr 22, 2025 — The majestic landscape of Provence takes center stage in Claude Berri’s two-film adaptation of an epic tale by Marcel Pagnol, a cinematic treasure that remains an abiding source of comfort for French viewers.
The Daily
May 15, 2024 — The festival opens with a showcase for French acting royalty.
Jul 25, 2023 — In his five collaborations with actor Randolph Scott and producer Harry Joe Brown, Boetticher presents an unsentimental vision of honor-bound men competing and banding together in a desolate landscape ruled by chance.
Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.
Features
May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.
Essays
Feb 22, 2011 — Andrea Arnold seemed to emerge out of nowhere with Red Road (2006), her revelatory, shrewdly observed debut feature about voyeurism and sexual revenge. That film won Arnold multiple awards, and she had already earned an Oscar for her short Wasp...
The Daily
Feb 3, 2025 — The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.