The Criterion Collection
Oct 26, 2011 — Performances The galumphing hulk who terrorized early sound cinema audiences in Frankenstein (1931) and The Mummy (1932), Boris Karloff was the movies’ politest monster. Even in his darkest on-screen moments, the London-born Karloff (né William Henry Pratt) exhibited a regal...
Short Takes
Nov 2, 2009 — The term holiday movie doesn’t have to conjure Christmas carols or miracles at Macy’s. Case in point: the personal, even skewed, films chosen by a few filmmakers as their holiday favorites for a seasonal special section in the New York...
Nov 8, 2011 — With the very first shots of Fanny and Alexander (1982), director Ingmar Bergman announces his perspective and signals his intentions. Here, we find the ten-year-old Alexander gazing into a puppet theater, lifting layer after layer of skillfully painted backdrop. We...
Short Takes
Nov 25, 2015 — Last week, when John Waters stopped by Criterion for a visit, we asked the cult filmmaker (and connoisseur of holiday entertainment) for his recommendations of the films we should be watching this holiday season. Naturally, he responded with one of...
The Daily
Sep 18, 2023 — Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.
The Daily
Dec 29, 2022 — Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .
The Daily
Oct 13, 2021 — Several of the season’s best-reviewed films arrive in the Windy City.
The Daily
Jul 26, 2021 — The main competition boasts new work from Jane Campion, Pedro Almodóvar, Ana Lily Amirpour, and Pablo Larraín.
The Daily
Jun 16, 2021 — We’re catching up with news of projects in the works from Todd Haynes, the Dardennes, Rebecca Miller, Todd Solondz, and Gina Prince-Bythewood.
The Daily
Aug 14, 2019 — A week into this year’s edition, a few critical favorites are emerging from the competition.