The Criterion Collection
The Daily
Sep 28, 2022 — Vicky Krieps stars in an irreverent reimagining of a year or so in the life of Empress Elisabeth of Austria.
The Daily
Sep 9, 2021 — Critics find Kristen Stewart to be “both such a counterintuitive and oddly apt choice” for the role of Diana, Princess of Wales.
In Theaters
Dec 24, 2015 — As the perfect companion for your holiday blues, spend the final days of the year indulging in a good cry with Douglas Sirk at the Film Society of Lincoln Center.
On the Channel
Oct 16, 2025 — This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.
On the Channel
Dec 1, 2021 — Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.
The Daily
Oct 12, 2023 — The director completes her “trilogy on Italian identity” by offering an outsider’s point of view.
The Daily
Dec 21, 2017 — New York. “One of the great films about childhood and life during wartime, Claude Berri’s piquant, piercing debut, The Two of Us (1967), also stands—despite its highly personal and historic milieu—as a study of a perennial generational conflict,” writes Alan...
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
On the Channel
Nov 13, 2023 — Channel Calendars This December, take your pick from the cinematic gifts under our tree! We’ve got a spotlight on indie queen Parker Posey, major retrospectives dedicated to the towering artists Yasujiro Ozu and Ousmane Sembène, offbeat portraits of the animal...
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...