The Criterion Collection
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Jun 18, 2017 — “This book will be one of the most important film publications of 2017,” declares David Bordwell, introducing a guest post from Charles Maland, who’s edited Complete Film Criticism: Reviews, Essays, and Manuscripts, Volume Five in the University of Tennessee Press...
The Daily
Jan 3, 2024 — The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .
Sep 5, 2017 — “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...
The Daily
Jul 15, 2017 — “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...
Jul 25, 2023 — In his five collaborations with actor Randolph Scott and producer Harry Joe Brown, Boetticher presents an unsentimental vision of honor-bound men competing and banding together in a desolate landscape ruled by chance.
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Jul 22, 2021 — Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.
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Jul 17, 2020 — Studio Ghibli for the kids, Bergman and Pasolini for the grownups, and more highlights from the week that was.
The Daily
Feb 6, 2018 — “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...
The Daily
Jan 29, 2018 — This weekend was about the Grammys, of course, but it wasn’t all about the Grammys. As Guy Lodge reports for Variety, Martin McDonagh’s Three Billboards Outside Ebbing, Missouri “may be proving the most critically divisive of this year’s top Oscar...
The Daily
Jan 23, 2018 — Mandy, screening in the Midnight program at Sundance, “is a midnight-movie festival unto itself,” declares A. A. Dowd at the A.V. Club: “over two gonzo hours, it combines giallo, Clive Barker, Death Wish, prog rock, heavy metal, Heavy Metal, Guy...