Adventure

May 26, 2008 — Though producer Alexander Korda’s adventure movie forms part of a continued tradition of representing the East by purposefully occluding the reality of it, it celebrates the Arabian fantasy as a site of childlike wonder.

Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...

Dec 9, 1991 — This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...

Apr 10, 1989 — In the Hollywood heyday of the ‘30s and ‘40s, America was synonymous with rip-snorting action-adventure movies. Audiences throughout the world thrilled to such classics as Gunga Din, The Sea Hawk, and Union Pacific. In the 1950s the Japanese made their...

Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.

A tantalizing labyrinth, a warped tale of wayward love, a high-flying feat of adventure filmmaking, a pop-culture phenomenon, a document of a fearless director, and early works from a legend of world cinema

Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.

Michelle Parkerson is an award-winning filmmaker based in Washington, D.C., whose work has screened at the Sundance Film Festival, the Berlin Film Festival, and the American Film Institute. She has documented the lives of LGBTQ icon Audre Lorde (A Litany...

Aug 26, 2026 — The fifteen-film series sets the mood for the unique first feature by Jack Auen and Kevin Walker.

Aug 19, 2026 — BAM presents visions of a few possible utopias—and plenty of dystopias.