The Criterion Collection
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.
Essays
Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.
Features
Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.
Apr 25, 2012 — Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Jul 25, 2014 — Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.
Nov 29, 2023 — To watch Matt Wolf’s revelatory documentaries is to see life as a moving collage in which the past and present are woven together. Over the course of nine intensely researched and intricately crafted features and shorts, Wolf has combined his passion for...
On the Channel
Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.