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The Life of an Actor

Jun 10, 2026 Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.

Dec 31, 2025 As we come to the end of 2025, we’re looking back at some of the essays and interviews we’ve shared with you over the past year.

Dec 8, 2025 BAM presents These Encounters of Theirs on 35 mm, and Pedro Costa screens and discusses movies in Copenhagen.

Under the Surface

The Daily

Aug 30, 2024 Martin Scorsese and Edgar Wright discuss overlooked British films and cinematographer Mark Lee Ping-bing talks about working with Hou Hsiao-hsien.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Oct 3, 2019 By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...

Aug 20, 2018 A survey of some of the most notable titles to have appeared over the summer.

May 16, 2018 Critical reception is subdued compared to the raves for Happy Hour (2015).

Jan 21, 2016 In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.

Jun 5, 2014 The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

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