The Criterion Collection
Essays
Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.
The Daily
Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.
The Daily
Mar 1, 2022 — A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.
The Daily
Feb 14, 2022 — The Berlinale’s most adventurous section offers adaptations, inspiration, and a slice of its own history.
The Daily
Feb 11, 2022 — The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.
The Daily
Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.
The Daily
Feb 8, 2022 — This year’s round has given us plenty of firsts (and seconds).
Feb 8, 2022 — Studio Visits A passion for photography runs in Chris Buck’s family. Born and raised in Toronto, he attributes his early interest and comfort in the field to the influence of his father, who worked at Kodak. Being exposed to the art form in his...
Feb 8, 2022 — A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.
The Daily
Feb 3, 2022 — A series at MoMA spotlights overlooked stars of the pre-Code era.