The Criterion Collection
Apr 13, 2019 — Every Saturday on the Criterion Channel, we’ll be presenting a beloved movie that’ll help you get your weekend started on the right foot. In the above introduction, filmed while Sofia Coppola was in the office to shoot her Adventures of...
The Daily
Apr 12, 2019 — Known for his work with John Cassavetes, the actor was rediscovered a generation later in films by Wes Anderson.
Apr 11, 2019 — Every Friday on the newly launched Criterion Channel, we’ll be playing matchmaker, presenting a double bill of films that, for one reason or another, belong beside each other. Our Double Features will be sure to multiply your viewing pleasure, whether...
On the Channel
Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...
Short Takes
Apr 5, 2019 — Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...
On the Channel
Apr 3, 2019 — We hope you’re as excited as we are for the official launch of the Criterion Channel! Starting next Monday, April 8, we’re sharing our dream of a movie lover’s streaming service, with more than 1,000 films from both our permanent library...
Interviews
Apr 2, 2019 — Mike Leigh’s endless fascination with human behavior is palpable in every one of the films he’s made over the course of his nearly fifty-year career. With an acute sensitivity to rhythm, character, and setting, he extracts extraordinary moments from the...
Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.
The Daily
Mar 29, 2019 — Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.
Mar 29, 2019 — When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...