The Criterion Collection
Dec 20, 2016 — With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.
On the Channel
Dec 6, 2016 — Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...
May 17, 2016 — Before the release of his new film Sunset Song, the beloved filmmaker stopped by the Criterion kitchen for lunch and became especially animated when our discussion drifted toward two of his great loves: the plays of Anton Chekhov and musicals...
Mar 23, 2016 — We had come to expect Chantal Akerman’s periodic gifts of small and large cinematic gems. Certain of this flow, we were devastated when, all too abruptly, we were forced to think of her latest film, so beautiful, as her last.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Nov 4, 2015 — Linklater circa 1990 In 1985, six years before the release of Slacker, Richard Linklater's iconic portrait of a generation, the Texan filmmaker founded the Austin Film Society. The group began as a small band of cinephiles eager to see classic,...
Short Takes
Oct 15, 2015 — Coming off the success of John, her latest acclaimed stage production, Pulitzer Prize–winning playwright Annie Baker is more in demand than ever.
Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.
Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.
Features
Jun 30, 2014 — The filmmaker’s recollections of the great producer.