The Criterion Collection
Feb 13, 2006 — John Ford’s biographical drama portrays an imaginary antebellum America with relaxed humor and effortless nostalgic charm while sustaining an underlying note of somber apprehension.
Essays
Jan 5, 2004 — One of the most original—and hilarious—comedies ever made, M. Hulot’s Holiday has delighted and disarmed moviegoers the world over since its first appearance in 1953. There’s little in the way of plot or dialogue to this French-made farce about a...
Mar 31, 2026 — Claude Lelouch’s Palme d’Or–winning breakout hit combines elements of a classic Hollywood love story with dynamic photography, an edgy editing style, and a naturalistic sense of character and location.
Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.
The Daily
Oct 1, 2025 — With two films set to open next month, Richard Linklater programs a series of French New Wave classics.
Jun 30, 2025 — The Austin Film Society spotlights nine performances, each of them a unique declaration of independence.
The Daily
Aug 23, 2019 — A good number of the pieces that have stood out this week examine the ways that music and cinema have informed each other’s traditions.
Mar 16, 2009 — This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.
Essays
Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.
The Daily
Aug 18, 2025 — Further winners in Locarno include White Snail, God Will Not Help, and Tales of a Wounded Land.