The Old Way

Apr 6, 2018 — Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...

Jun 13, 2017 — Film Quarterly has not only a new issue but also a new site. In her opening editorial, B. Ruby Rich, who, as noted the other day, will be in London from June 22 through 25 for the series of screenings...

May 22, 2017 — “The Meyerowitz Stories (New and Selected) isn’t the wittiest or most exciting movie that Noah Baumbach has ever made, but it might just be the most humane,” writes David Ehrlich at IndieWire. “While all of his films have a cutting...

Oct 19, 2023 — The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Feb 18, 2008 — At the climax of Alex Cox’s Walker (1987), a helicopter descends from the night sky onto a plaza where the colonial buildings are ablaze and an army of mercenaries is disintegrating . . .

Aug 28, 2000 — The acclaimed humorist’s work sees the range of human folly sans romance and piety.

Mar 6, 2024 — The reviews are strong, and one excerpt focuses on the influential film pages.

Jul 24, 2026 — September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.

Aug 19, 2020 — An atmospheric tale of seduction and dread in Venice, The Comfort of Strangers (1990) came to Paul Schrader as a project in need of a director, with a completed screenplay by Harold Pinter, faithfully adapted from Ian McEwan’s acclaimed novel....

Jun 28, 2019 — This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.