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Love, Chunibyo & Other Delusions! Take On Me

Mar 26, 2024 In her first fiction film, director Alice Diop brings the skills of observation she has learned from her documentary work to a thought-provoking exploration of race, power, and motherhood.

Dec 13, 2023 As twenty-five films are added, the Academy Museum spotlights the Registry’s thirty-five-year history.

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Feb 9, 2023 New York’s Metrograph presents a series of films Rainer has called “autobiographical fictions, untrue confessions.”

Nov 23, 2022 In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

Apr 29, 2022 This week swerves from the slick cinéma du look to the harshest punk noise.

Apr 4, 2022 Nicholas Ray’s melodrama is both a critique of 1950s America and a straight-up horror movie.

Nov 16, 2021 Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.

Aug 30, 2021 As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Mar 2, 2021 Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.

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