The Criterion Collection
Sep 21, 2015 — Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.
Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.
Short Takes
Aug 31, 2015 — “When you’re writing a screenplay, it’s like you’re dreaming the film for yourself again and again and again until it becomes almost like a memory before you make it,” says writer and actor Greta Gerwig in a new interview in...
Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.
Short Takes
Aug 25, 2015 — Bill Hader and Fred Armisen’s hilarious new IFC Channel show Documentary Now! started last week, and already we can’t get enough. Of course, it helps that the crackerjack comedy team (one of whom is an avowed Criterion fanatic) launched the...
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
Production Notes
Jul 27, 2015 — 1. My Beautiful Laundrette launched a number of careers: that of writer Hanif Kureishi, soon to be regarded as one of the most important voices of his generation; those of producers Tim Bevan and Sarah Radclyffe, whose then fledgling company, Working...
Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.