The Criterion Collection
Essays
Jul 9, 2019 — Agnieszka Holland’s 1990 film Europa Europa recounts the incredible but true story of how Salomon Perel, born in 1925 in Germany to a Polish Jewish family, survived the Holocaust by posing as a pure Aryan German raised in Poland. Recruited...
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
In Theaters
Jun 14, 2018 — Repertory Picks With Unruly Women, a monthly repertory series running through August, the Art Theater in Champaign, Illinois, is celebrating the defiant passions of some of cinema’s most fiercely independent female characters. On Monday evening, Douglas Sirk’s 1955 film All...
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
Sep 28, 2015 — Many of the most romantic moments in movies are the results of decidedly unromantic real-life on-set moments. As Helena Bonham Carter reveals in this candid new interview clip, that was certainly the case with A Room with a View and...
Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.
Oct 4, 2013 — Did You See This?• Guillermo del Toro goes to Springfield and enters a Cabinet of Curiosities. • Call Lena Dunham—there’s a new girl in town. • The art of the vamp • A glimpse of the latest from Costa-Gavras •...
Essays
Sep 19, 2011 — When Claude Chabrol’s first film, Le beau Serge, had its premiere at the 1958 Cannes Film Festival (out of competition), a fellow critic at Cahiers du cinéma, François Truffaut, wrote: “Technically, the film is as masterly as if Chabrol had...
Apr 12, 2011 — The following is excerpted from Melville on Melville, a book-length interview by Rui Nogueira first published in 1971. How do you feel about your twelfth film, Le cercle rouge? Since there’s no knowing if there will be a thirteenth, l...