One Shot

Jan 23, 2017 — One of the most striking elements of Something Wild, Jack Garfein’s psychologically complex examination of trauma and attachment, is the 1960s New York City its distressed characters inhabit. Shot by Eugen Schüfftan, an Oscar-winning German cinematographer renowned for the special-effects...

Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.

Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

Dec 12, 2016 — Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...

Dec 6, 2016 — This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.

Dec 6, 2016 — Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...

Dec 5, 2016 — A biting satire of bourgeois frivolity, the 1962 surrealist masterpiece The Exterminating Angel is one of Spanish auteur Luis Buñuel’s most macabre creations. In this follow-up to the scandalous, Palme d’Or–winning Viridiana, Silvia Pinal and an ensemble of Buñuel regulars...

Nov 29, 2016 — Anahita Ghazvinizadeh’s short film Needle, which won the 2013 Cinefondation prize at Cannes, premieres today on the Criterion Channel as part of our weekly Short + Feature. I first met Anahita through programming the short at the Chicago International Film...