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In Gefahr und größter Not bringt der Mittelweg den Tod

Feb 17, 2010 Michael Atkinson writes film criticism for IFC.com, Sight & Sound, and Moving Image Source. His books include Exile Cinema: Filmmakers at Work Beyond Hollywood and the novel Hemingway Deadlights. His writing for Criterion includes essays for Wings of Desire and...

Nov 11, 2009 Sonic Youth’s Lee Ranaldo, Thurston Moore, Kim Gordon, and Steve Shelley ganged up for this Criterion top ten—or twelve, as it turned out. The New York–based no wavers have been making music together since 1981. Their albums include Daydream Nation,...

Apr 16, 2009 Next week, we release a definitive, three-disc set of the short documentaries of Jean Painlevé (1902–89), the pioneering French scientist-educator-filmmaker (and sometime Dadaist) whose mesmerizing studies of marine life, especially, have been attracting wide audiences and new fans for decades...

Sep 16, 2025 In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.

Mar 29, 2018 A daring portrayal of race, class, and sexuality, Tony Richardson’s A Taste of Honey plays at the British Film Institute in a monthlong tribute to Woodfall Films, one of the pioneers of British social realism.

Aug 8, 2022 The new Senses of Cinema features a dossier on the director currently being feted in Melbourne.

May 25, 2021 In Edmund Goulding’s gritty cult classic, Tyrone Power casts off his matinee-idol image to play a conniving carnival barker on the flipside of the American dream.

May 8, 2017 Writer Durga Chew-Bose explores her personal connection to Uma Das Gupta’s quietly captivating performance as a carefree young girl in the masterful opening installment of The Apu Trilogy.

Dec 28, 2014 In person, Sam was a blunt-nosed nonconformist, small of stature but forever leading with his Cuban cigar.

May 5, 2014 The celebrated divot points manfully toward the crest of the next hill, and the next, and the next, and to the horizon after that. Always forward! Into the sunset! Kirk Douglas is on the move: a wagon train of grimace,...

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