The Criterion Collection
The critic and cowriter of Nightmare Alley explores the complexity of Gene Tierney’s femme fatale in Leave Her to Heaven, compares Adam Sandler and Paul Thomas Anderson’s work on Punch-Drunk Love to the collaboration of James Stewart and Alfred Hitchcock,...
Kim Morgan is a film writer and screenwriter whose work has appeared in Sight and Sound, Filmmaker magazine, the Los Angeles Review of Books, and the New Beverly Cinema blog, as well as her own blog, Sunset Gun. She cowrote...
The Daily
Oct 30, 2025 — The Portuguese filmmaker is on an informal tour of the U.S, presenting and discussing her work and influences.
On the Channel
Jun 17, 2025 — This July, find love under the sun with our Summer Romances collection and flirt with the seductive dangers of Miami’s most thrilling neonoirs.
Jan 6, 2025 — Sunday night’s big winners include The Brutalist, Emilia Pérez, and Flow.
The Daily
Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Feb 18, 2016 — The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.
Essays
Apr 28, 2003 — Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.
The Daily
Mar 12, 2026 — A selection of fine writing on this year’s Academy Award nominees.