Two to One

Jul 2, 2024 — Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.

Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

Jun 20, 2024 — She was Demy’s Lola, Fellini’s Luisa, and in Lelouch’s A Man and a Woman, Trintignant’s lover.

Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Mar 18, 2024 — It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Mar 15, 2024 — Brussels celebrates Chantal Akerman, Hirokazu Kore-eda remembers Ryuichi Sakamoto, and there are some intriguing projects in the works.

Mar 12, 2024 — The thirteenth edition offers twenty features, new short films by Kevin Jerome Everson and Nathaniel Dorsky, workshops and more.

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...