The Black Ghiandola

The writer and director pays tribute to the late Béla Tarr, shares his love for the way Andrei Tarkovsky merged poetry and cinema, and suggests watching a double bill of Black Girl and I Knew Her Well.

The musician and actor talks about what makes Stan Brakhage’s films “very punk rock,” reflects on working with Jonathan Demme, and selects favorite films such as Black Girl and True Stories.

The legendary French auteur talks about the intimacy of discovering yourself in cinema, shares her lifelong connection to Viridiana and Black Orpheus, and praises directors whose work continues to inspire and transport her, from Elia Kazan and David Lynch to...

The writer, director, actor, and producer shares what Marlon Riggs’s work means to her as a Black queer filmmaker, praises Rainer Werner Fassbinder’s radical approach to melodrama, and spotlights Chantal Akerman, Agnès Varda, and other directors whose work she can’t...

The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...

While in New York to promote her film The Woman King, the director stopped by our office and picked up some of her favorite movies, including Black Orpheus and Broadcast News.

The director of the Oscar-nominated documentary Time shares an eclectic selection of her favorite films, from European art-house staples to classics of Black cinema.

Chrystel Oloukoï is an artist, film critic, and curator focusing on experimental cinema, queer cinema, and Black continental and diasporic cinema. They hold a PhD from Harvard University and work at the University of Washington. Their writing has appeared in...

Jul 31, 2026 — Along with a new Senses of Cinema, the week brings writing on work by Rossellini, Bresson, De Palma, Kiyoshi Kurosawa, and Yashaddai Owens.

Apr 29, 2026 — Film at Lincoln Center’s thirteen-film series will feature an evening with the man himself.