The Criterion Collection
Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...
Oct 15, 2013 — Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Sep 23, 2013 — The neorealist master and the Hollywood icon forged a brilliant artistic path together, despite the backlash their controversial romance generated.
Sneak Peeks
Sep 20, 2013 — She’s unforgettable. It’s difficult to stand out in a cast of dozens of eccentrics, weirdos, and armchair philosophers, but Teresa Taylor is one of the true MVPs of Richard Linklater’s independent breakthrough, Slacker. Identified in the credits only as ”Pap...
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...