The Third Generation

May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

Apr 16, 2018 — New York. The Tribeca Film Festival opens on Wednesday, and later in the week, we’ll be taking a look at two series opening on Friday, The Puppet Master: The Complete Jiri Trnka at the Film Society of Lincoln Center and...

Dec 19, 2017 — With the addition of eight features, a virtual reality experience, and hosted retrospectives, the lineup for the 2018 Sundance Film Festival (January 18 through 28) is now complete. Previously announced are the features programs, the lineups for the new Indie...

Jun 30, 2016 — In Olivier Assayas’s 2014 film Clouds of Sils Maria, Juliette Binoche and Kristen Stewart play out a story centered on the complexities of female relationships, the making and undoing of boundaries between people, and our anxieties about the passage of...

Aug 20, 2001 — Carl Dreyer’s modern tragedy eschews melodrama, striking a balance between suffering and triviality.

Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...

Nov 10, 2022 — Film Forum presents a survey featuring work by Edward Yang and Hou Hsiao-hsien as well as Second Wavers Ang Lee and Tsai Ming-liang.

Oct 1, 2020 — Martin Scorsese’s World Cinema Project No. 3 The film world and ordinary people(s) in the four corners of the globe have long awaited the home-video release of Soleil Ô (Oh, Sun, 1970), the groundbreaking feature debut of one of Africa’s...

Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.

Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.