The Criterion Collection
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Essays
Mar 30, 1992 — John Schlesinger’s controversial masterpiece made moviegoers squirm with its bold, bleak portrayal of unrequited love, gay and otherwise, and it remains as jolting and thought-provoking as ever.
Essays
Dec 3, 1990 — Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...
On the Channel
Nov 8, 2016 — The Austin-based filmmaking duo chat with us about the influence of Louis Malle and their new short film, which takes inspiration from the director’s Black Moon.
May 25, 2016 — For the past ten years, we’ve been proudly welcoming the Bronx-based school’s students into our Criterion family. As the 2016 school year ends, we’re thrilled to watch another class of young filmmakers express their vision and employ what they’ve learned...
Essays
Feb 1, 1988 — Based on the novel by W.T. Burnett, this heist film set in a nameless midwestern city offered moviegoers in 1950 a new view of crime.
The Daily
Apr 26, 2022 — The Sydney-based festival of new restorations offers a rich set of globally accessible program notes.
Jul 12, 2018 — The director of Bull Durham explains the ins and outs of bringing baseball to the screen and why Kevin Costner is the finest athletic actor he’s worked with.
The Daily
Jun 7, 2018 — The Ukraine-based filmmaker saw her work lauded and banned.