The Criterion Collection
Features
Sep 26, 2025 — One of the most provocative subgenres of 1970s exploitation cinema, nunsploitation explores the collision of sex and religious dogma through stories of desperately horny women of the cloth.
Features
Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.
Sep 24, 2025 — Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.
Essays
Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.
The Daily
Sep 23, 2025 — Josh O’Connor stars in the heist movie that slips into another genre entirely.
The Daily
Sep 18, 2025 — No movie star was bigger in the 1970s, and he won an Oscar for directing Ordinary People. But Sundance may be his most impactful legacy.
On the Channel
Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.
Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.
The Daily
Sep 15, 2025 — First Nomadland, and now, Hamnet. Chloé Zhao is the first filmmaker to win the People’s Choice Award twice.