The Criterion Collection
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
Aug 16, 2016 — Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.
Short Takes
Aug 13, 2016 — On the occasion of what would have been the Master of Suspense’s 117th birthday, we’re looking back on a selection of essays and videos that explore his inexhaustible oeuvre.
Mar 21, 2016 — Edward Yang’s masterful 1991 adolescent epic telegraphs the tensions and turbulence of 1960s Taiwan, when youth pop culture and teen street gangs became a major societal force.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
In Theaters
Dec 30, 2015 — Repertory PicksIn honor of the centennial anniversary of Orson Welles’s birth in 2015, the Northwest Film Center in Portland, Oregon, has undertaken a major celebration of the director’s work that will continue into the New Year. The series offers a...
Essays
Nov 12, 2015 — Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.
Short Takes
Sep 3, 2015 — Wes Craven, who died this week at age seventy-six, was a horror master with few equals in contemporary American movies. The director of A Nightmare on Elm Street and Scream may not often be spoken of in the same breath...
In Theaters
May 21, 2015 — Repertory PicksWhen cinematographic genius Max Ophuls made his first Technicolor, CinemaScope extravaganza (also, sadly, his last, due to his death), he pulled out all the stops. Lola Montès, his ravishing biopic of the notorious nineteenth-century courtesan, is the kind of...
May 11, 2015 — The poignancy of Leo McCarey's tearjerker is due as much to the director's scrupulous aesthetic choices as his unforgettable characters and story.