Shifting POVs

The Daily

Jun 5, 2026 We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

May 29, 2026 We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.

May 21, 2026 The Cannes sidebar wraps with prizes for three stories about teenage girls and another about a determined adult woman.

May 19, 2026 Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...

May 15, 2026 This week: Super 8 films by Teo Hernández, a new feature from Patrick Wang, and a revival of Aloïse (1975), starring Isabelle Huppert and Delphine Seyrig.

May 5, 2026 The nation’s largest silent film festival returns to the newly renovated Castro Theatre.

Magnanimous!

The Daily

May 1, 2026 A new month begins with a Visconti restoration, a new issue of Senses of Cinema, and a deep backgrounder on Backrooms.

Apr 30, 2026 The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.

Apr 27, 2026 During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...

Apr 21, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful stops in cities across the United States and Canada. For our first trip this year, in partnership with PAM CUT, Criterion...

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