The Criterion Collection
Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...
The Daily
Apr 20, 2018 — “Jiri Trnka didn’t craft his puppet-cartoon shorts and features merely to imitate life,” writes Michael Sragow for Film Comment. “His endlessly original and inventive movies incorporate life, or transcend it. Trnka insisted that he was ‘local,’ and drew many of...
The Daily
Apr 9, 2018 — The retrospective of work by Lucrecia Martel at the Film Society of Lincoln Center will be the first of many around the country and abroad in the coming weeks, so we’ll take a closer look in a separate entry on...
The Daily
Oct 19, 2017 — New York. “Feverish, fragmented, expressionistic, The Sin of Nora Moran (1933) is one of the most formally daring films to come out of Hollywood in the early sound era,” begins Imogen Sara Smith in her overview for Film Comment of...
Mar 30, 2026 — Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.
The Daily
Jan 30, 2025 — The next four days see the spotlights hit Frederick Wiseman, Jerry Schatzberg, Chantal Akerman, and more.
The Daily
May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.
The Daily
Apr 27, 2023 — The critic and filmmaker has put together a series that celebrates “a New York of the collective imagination.”
The Daily
Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.
The Daily
May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.