The Criterion Collection
Essays
Jun 3, 2002 — By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...
The Daily
May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.
The Daily
Jun 25, 2026 — On its fiftieth anniversary, Mikey and Nicky is back in theaters, and A New Leaf and Ishtar are screening in New York as well.
The Daily
Jan 21, 2026 — New films by Angela Schanelec, Lance Hammer, and Mahamat-Saleh Haroun will premiere in the competition.
The Daily
Nov 20, 2023 — This month brings new books on Godard and Bergman, novelists moonlighting as film critics, and biographies of Lena Horne and Elizabeth Taylor.
The Daily
Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.
On the Channel
Jan 1, 2022 — Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.
The Daily
Feb 21, 2020 — Reflections from Bong Joon-ho’s interpreter and a report from the set of Apichatpong Weerasethakul’s Memoria open this week’s wide-ranging round.
Oct 1, 2017 — “Since I saw Faces Places at its premiere at Cannes in May, [Agnès] Varda’s latest documentary has cemented itself on my running list of the year’s best titles,” writes Manohla Dargis in the New York Times. “Made with the French...