Donald in Mathmagic Land

Dec 10, 2015 — Repertory PicksOver the next two weeks, the Bryn Mawr Film Institute will present a series called Fatal Vision: The Cinema of Roman Polanski, Pt.1, highlighting Polanski’s early European art films and timed to complement a film studies course of the...

Jul 24, 2014 — Everyday life gets a musical makeover in Jacques Demy’s tale of chance and love, a film of exquisitely sad happiness.

Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.

Nov 19, 2013 — There are few people in the world we would rather hear talk about the beauty of Yasujiro Ozu’s cinema than Donald Richie. One of the world’s foremost scholars on Japanese film and culture, Richie, who died earlier this year, appears...

Oct 29, 2013 — In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.

One of Japan’s most important filmmakers, Kenji Mizoguchi created a cinema rich in technical mastery and social commentary, specifically regarding the place of women in Japanese society.

Jun 3, 2009 — We’ve pieced together comments from production designer Donald Burt and property master Hope Parrish of working with the supermeticulous and precise David Fincher on perfecting the atmosphere and historical accuracy of The Curious Case of Benjamin Button. You can click...

May 6, 2009 — Donald Richie recently came through the United States on his eighty-fifth-birthday tour, and along the way he stopped in Berkeley for a conversation with longtime friend, Telluride codirector, and Mishima producer Tom Luddy. Those who have heard Donald’s Criterion interviews...

Oct 20, 2008 — Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

Jan 22, 2007 — Forget the Beatles vs. Elvis: for me the world is divided into Karloff people and Lugosi people, and I’m in the Karloff clique. Bela Lugosi’s oversize mannerisms and thickly accented drawl have always seemed camp to me, while Boris Karloff’s...