The Criterion Collection
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May 19, 2020 — The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.
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Oct 2, 2019 — Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
Feb 19, 2019 — A master at adapting literary classics for the screen, Luchino Visconti made a bold choice in emphasizing the homoerotic undertones in Thomas Mann’s novella.
Feb 15, 2019 — One of the most massively ambitious epics in the history of cinema, Sergei Bondarchuk’s War and Peace, opens today at the Film Society of Lincoln Center’s Walter Reade Theater in a dazzling new restoration. Never before released in the U.S. in its...
Jan 8, 2019 — “Elements which can be eliminated have been eliminated” is how Abbas Kiarostami once described his late turn toward minimalism. While the Iranian director was known for the intricate, metatextual playfulness of his work, he also spent much of his career...
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Dec 19, 2018 — The star of one of the biggest sitcoms in the 1970s directed three major hit films in the late ’80s and early ’90s.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
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Apr 17, 2018 — The seventeenth Tribeca Film Festival opens tonight in New York with Love, Gilda, Lisa D’Apolito’s portrait of beloved comic actress Gilda Radner, and screens around one hundred more features before wrapping on April 29. Throughout the festival’s run, I’ll be...
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Apr 16, 2018 — From Éditions Matière comes Contrebandes Godard 1960-1968, a collection of promotional materials inspired by comics and the Situationists for the films Godard made during those years, unpublished since but now gathered and commented on by Pierre Pinchon, who teaches at...