The Criterion Collection
Features
May 13, 2022 — The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.
Mar 28, 2022 — Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...
The Daily
Feb 25, 2022 — A young Luc Moullet’s thoughts on Luis Buñuel and Ethan Hawke’s work with Richard Linklater are among this week’s highlights.
The Daily
Oct 27, 2021 — Two great podcasts launch new seasons, and another expands on a new book about New York movies.
The Daily
Apr 8, 2021 — An eighty-year-old widow defies the engines of progress in Lemohang Jeremiah Mosese’s latest feature.
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
Features
Feb 12, 2021 — In an interview with bell hooks published in 1996, Camille Billops responded to a question about the transgressive candor of her films by saying “It is probably exhibitionism on my part [. . .] some people say our films have...
The Daily
Oct 13, 2020 — Some critics are amused, others aren’t, but everyone agrees that Michelle Pfeiffer is outstanding.
The Daily
Aug 28, 2020 — This week’s highlights feature paintings brought to life, pioneering citizen journalists, early “race films,” and the first Japanese wave.
Jul 5, 2020 — Among today’s most revered jazz musicians, pianist and composer Jason Moran stands out for how seamlessly he blends tradition and innovation. Throughout his now two-decade career, he has honored the complex history of one of America’s most storied art forms...