The Criterion Collection
Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?
Sneak Peeks
Dec 24, 2014 — Keisuke Kinoshita’s poignant Morning for the Osone Family looks at grief over World War II from the perspective of one Japanese family. Shot immediately following the country’s surrender, when directors like Kinoshita were no longer under the thumb of wartime...
Essays
Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.
Dec 3, 2014 — “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Oct 14, 2014 — What happens offscreen is as important as what’s on- in John Ford’s subtle, elegiac take on the Wyatt Earp–Doc Holliday story.
Sep 26, 2014 — For this week’s festival of free films on Hulu, we put French bombshell Brigitte Bardot in the spotlight. The gorgeous actor, singer, and model burst onto the scene with Roger Vadim’s scandalous 1956 romp And God Created Woman, and was...
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...