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May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

Aug 12, 2021 — The competitive program will premiere new work from Laurent Cantet, Lucile Hadžihalilović, and Hany Abu-Assad.

Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.

Aug 24, 2020 — In memory of D. A. Pennebaker (1925–2019) 1. The great documentary filmmaker D. A. Pennebaker was motivated to shoot by curiosity. He loved music and friendship, and he had an understanding that everything he filmed recorded histories both personal and...

Aug 13, 2020 — First Person In 1960 The Apartment was playing at Cinema Rialto and was advertised with a loud red poster. I was too young to see it at the time, but I do recall overhearing my parents describing it to their...

Jul 17, 2020 — Studio Ghibli for the kids, Bergman and Pasolini for the grownups, and more highlights from the week that was.

Dec 11, 2019 — One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...

Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...

Oct 21, 2019 — Songbook If you weren’t a devotee of the Cantopop world in the early 1990s, the casting of Faye Wong in Wong Kar-wai’s Chungking Express (1994) may not have caught your attention. Starring in her first major role, the singer looked...

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