The Drama

Mar 19, 2024 — One of the first postrevolutionary Iranian films screened and celebrated internationally, Amir Naderi’s autobiographical masterpiece is a lyrical exploration of childhood that showcases the director’s gift for radical simplicity.

Sep 27, 2023 — After winning a handful of top awards in Beijing, the novelist-turned-filmmaker’s thirteenth fictional feature arrives in New York.

May 22, 2023 — Drawing freely from the novel by the late Martin Amis, Glazer emphasizes the horror of what we do not see.

Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.

Feb 16, 2021 — Reviews are strong for the biography of the unique theater and film director, comedian and actor.

Feb 11, 2021 — The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...

Mar 22, 2019 — The Criterion Channel launches on April 8, and we’re excited to share our first month’s lineup! The April calendar of thematic programming highlights an eclectic mix of classic and contemporary films from Hollywood and around the world, many not streaming anywhere...

Aug 10, 2017 — “Stylish swagger goes full-tilt boogie in Let the Corpses Tan (Laissez bronzer les cadavres), the latest delirious exercise in lovingly retro pastiche from Brussels-based writer-directors Hélène Cattet and Bruno Forzani,” begins Neil Young in the Hollywood Reporter. “Having amassed a...

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Jan 8, 2016 — In March of 1967, Bosley Crowther, then the film critic for the New York Times, wrote about Orson Welles’s Chimes at Midnight, penning what is now considered one of his most famously wrong-headed reviews.