The Criterion Collection
Jun 17, 2014 — The brutal lessons of Vietnam remained in America’s national consciousness for a generation. September 11 gave us collective amnesia, and they’ve had to be learned again.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Jun 10, 2014 — Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was...
Jun 9, 2014 — In the history of cinema, there have been several notable collaborations between a director and an actress over a series of films. Think of D. W. Griffith and Lillian Gish back in the silent era, Josef von Sternberg and Marlene...
Jun 9, 2014 — Your vigilance as an artist is an amorous vigilance, a vigilance of desire.—Roland Barthes to Michelangelo Antonioni, 1979 It’s lamentable that Michelangelo Antonioni, one of the most fashionable vanguard European filmmakers during the sixties, has mainly been out of fashion...
Features
May 30, 2014 — The long relationship between director and festival has never been without its complications.
Essays
May 27, 2014 — Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.
May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.
Features
May 14, 2014 — The author recalls his meetings and correspondence with the uncompromisingly independent British director.
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.