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About Time

London 2022

The Daily

Oct 5, 2022 Highlights include new work from Chinonye Chukwu, Lars von Trier, Elegance Bratton, and Jerzy Skolimowski.

Sep 30, 2022 We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

Sep 29, 2022 This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

Sep 28, 2022 Vicky Krieps stars in an irreverent reimagining of a year or so in the life of Empress Elisabeth of Austria.

Sep 28, 2022 This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.

Sep 28, 2022 Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.

Sep 28, 2022 A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Sep 27, 2022 New restorations of work by Pedro Costa, Kira Muratova, Jean Eustache, Edward Yang, and Claire Denis are set to screen in New York.

Sep 26, 2022 For this new illustration, Spanish artist David de las Heras combined his signature use of bold colors with the lush style of French postimpressionist Henri Rousseau, a key visual influence on Atom Egoyan’s 1994 film.

Sep 20, 2022 A new collection introduces a major French critic and editor to English-speaking cinephiles.

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