The Criterion Collection
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Jun 13, 2012 — Tasteful British cinema got a refreshing dose of amorality with Danny Boyle’s stylish and violent tale of greed and paranoia.
Sep 19, 2005 — When I was a teenage cinephile, in the mid-1970s, Masculin féminin was enormously significant to me. It represented France’s nouvelle vague of the sixties, with its youthful, anarchic spirit of freedom and spontaneity. It was in black and white and...
Sep 13, 2004 — Fifteen years ago I received a letter from a young film director in Texas, who enclosed a tape of his first film, with the unlikely title It’s Impossible to Learn to Plow by Reading Books. It might as well have...
The musician and composer reminisces about watching A Hard Day’s Night with his dad, explores the beautifully unnerving score for Eyes Wide Shut, and shares what he learned from collaborating with Alfonso Cuarón.
The actor shares her memories of watching Fanfan la Tulipe as a child, talks about her deep connection to Hedwig and the Angry Inch, and expresses the importance of art and cinema in her life.
The actor and director talks about his formative experiences watching Miller’s Crossing, Hollywood Shuffle, and The Elephant Man; praises films by past collaborators, including Richard Linklater and Terrence Malick; and shouts out a very special Criterion commentary.
The actor and star of Megalopolis shares her deep connection to Steve McQueen’s Small Axe, reminisces about growing up repeatedly watching Love & Basketball, and reflects on the cultural importance of Paris Is Burning.
The writer, director, and actor admires the physical comedy of Pierre Etaix and the hallucinatory world of House, recalls formative experiences watching Y tu mamá también and The Virgin Suicides, and shares why he relates to the protagonist of Where...
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.